Fear Review

Genre: Horror | Author: R. Patrick Gates | Release Date: 1988

Published by Onyx, the story follows the small town of Quarry, Massachusetts whose residents become possessed by a malevolent force that turns them into killers.

Plot

Set in the small town of Quarry, Massachusetts, Fear follows psychic young boy Denny Sayer and widowed former teacher Pat Knight as they face an escalating nightmare. After a solar eclipse, the townspeople slowly succumb to a mysterious "sickness" that transforms them into paranoid, violent killers. Denny, trapped in a broken home with an abusive mother, and Pat, grieving her late husband, must navigate the growing chaos as friends, family, and neighbors fall into madness. The story kicks off grippingly with Denny’s harsh home life and builds as fear and hysteria spread like a supernatural plague. 

Though the book’s slow pace and frequent shifts in perspective can at times be confusing, especially toward the beginning and ending, it captures a deeply unsettling atmosphere. The steady transformation from normalcy into full-blown terror feels believable, thanks to foreshadowing through eerie hallucinations. 

While some narrative choices leave room for improvement, particularly in connecting plot events more smoothly, Fear maintains a strong sense of tension and dread throughout. It’s a chilling premise that could have benefited from tighter editing and an extended climax to fully capitalize on the horror setup.

Rating: 3 out of 5

Production

The strongest point of R. Patrick Gates’ writing is his ability to craft suspense. The use of hallucinations and growing paranoia creates a constant state of unease that keeps readers turning pages. He shows skill in weaving together multiple character perspectives without losing narrative clarity, though occasional "tell, don’t show" moments weaken the prose. Simple actions are sometimes broken into awkward, choppy beats, disrupting the flow of the story. Stronger, more fluid editing would have enhanced the immersive quality Gates clearly strives for. Despite these issues, the vivid (and at times graphic) descriptions are memorable, and the novel’s sense of small-town claustrophobia is palpable. 

The violence is brutal and unflinching, but never gratuitous, heightening the stakes for each character’s survival. Gates has a clear eye for how fear fractures and magnifies human behavior, even if the technical execution sometimes stumbles. Overall, the production is uneven but effective, creating a rough yet engaging horror experience.

Rating: 3 out of 5

The Verdict

In the end, Fear is a flawed but gripping novel that offers disturbing imagery, a steadily building sense of dread, and memorable characters, even if uneven writing and underdeveloped arcs prevent it from reaching its full potential. Solid but not outstanding. Fear gets 3 out of 5.

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