Savages (Savages, Book 2) Review

 Genre: Crime Thriller | Author: Don Winslow | Publisher: Simon & Schuster | Release Date: 2010

Ben, Chon, and O are best friends who've made a fortune producing premium grade marijuana in Southern California; however, things change for the worse when the Mexican Baja Cartel demand a cut by kidnapping O.

Plot

At its core, Savages thrives on simplicity—two best friends running a successful marijuana operation in Southern California are forced into a deadly game when the Mexican drug cartel demands a partnership. Ben, the pacifistic humanitarian, grows the product. Chon, the ex-Navy SEAL, handles security. Together they live in high-end peace, sharing not just a business but also a girlfriend, Ophelia (or simply “O”). But the fantasy crashes when the cartel makes a demand, and Ben and Chon decline. Their refusal results in O’s kidnapping, triggering a violent, tactical, and deeply personal war.

Don Winslow doesn’t waste time with unnecessary frills. The story escalates quickly from sunshine-and-weed euphoria to blood-and-bullets chaos. What’s remarkable is how Savages manages to feel informative without ever becoming a lecture. The occasional digressions into the realities of the drug trade, cartel brutality, and geopolitical undercurrents add texture to the otherwise straightforward revenge narrative. These insights may slow the momentum for readers purely seeking action, but they enhance the realism and context of the story.

Once the rescue mission begins, the pacing tightens like a noose. The plot becomes a brilliant blend of guerilla tactics, counter-ambushes, and psychological warfare, balanced by poetic, darkly humorous interludes. Every decision, every twist, feels urgent and impactful, culminating in an ending that is as tragic as it is inevitable. Savages doesn’t just offer thrills—it hits with consequences.

Winslow crafts characters that are vivid, memorable, and as volatile as the environment they’re navigating. At the center of this sun-soaked nightmare are Ben and Chon, opposites in philosophy yet perfectly complementary in execution. Ben is all heart and intellect—he sees beauty in the world and prefers peace. Chon, on the other hand, is a war-forged realist, viewing life through the lens of violence, survival, and inevitability. Together, they create a fascinating duality that gives the novel emotional weight.

O, the narrator of much of the novel, provides a grounded yet emotionally scattered lens. Her voice is sarcastic, raw, and often painfully honest. While she initially feels like a trophy character, her presence gradually reveals itself as essential to the trio’s bond. The shared romantic relationship between Ben, Chon, and O may challenge social norms, but within the context of the novel, it’s portrayed as genuine and functional. Their unorthodox intimacy only strengthens the emotional stakes once O is taken.

On the antagonist side, the cartel is not presented with cartoon villainy—they are brutal, yes, but believable. Their methods are horrifying, and their presence looms over every page. Winslow paints them not as simple evil, but as products of a corrupt, violent system. Secondary characters—even those who appear briefly—have punchy dialogue and a defined role in the escalating conflict. Everyone has weight in this world.

Rating: 5 out of 5


Production

Don Winslow’s prose is daring, stripped, and utterly arresting. It’s not conventional—but that’s what makes it exceptional. Dialogue is written like freeform poetry, sharp and staccato, capturing a beat that mirrors the intensity of the story. The pacing of his sentences echoes the characters’ emotional states: fast when they’re panicked, reflective when they’re waiting, brutal when they strike. It’s minimalistic but layered, often feeling like stream-of-consciousness spiked with pop culture references and gallows humor.

One of Winslow’s most effective techniques is his ability to slide educational and historical context into his fiction without losing dramatic tension. From the economics of drug trafficking to the political complexities between the U.S. and Mexico, Winslow has clearly done his research. This makes Savages more than a crime novel—it’s a crash course in the darker corners of international affairs.

Despite the violent subject matter (chainsaws, decapitations, and all), Winslow never glamorizes it. The horror hits hard, but it’s never gratuitous. Even the most brutal scenes carry thematic weight. The result is a book that is as intelligent as it is savage. Winslow’s writing crackles with energy, and while it’s undeniably edgy, it has substance underneath the style.

Rating: 5 out of 5


The Verdict

In the end, Savages is an intense, fast-paced crime thriller that blends edgy style with emotional depth and brutal realism. With sharp writing, unforgettable characters, and suspense that never lets up, Don Winslow delivers a novel that earns every bit of its reputation. Savages gets 5 out of 5.

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